(Read this in my publication In Retrospect – Issue 3 and in my student newspaper, Flex.)
Midnight In Paris premiered at this year’s Cannes Film Festival and has since been a global box office success. Written and directed by Woody Allen, the romantic comedy-fantasy explores the theme of nostalgia, reflecting back on the Golden era of the 1920s which leads one man to question whether these illusions of the past are better than the present one he is facing.
Gil (Owen Wilson), a writer struggling to finish his first novel, travels to Paris for a break away from his Hollywood life with his fiancée Inez (Rachel McAdams) and her parents, John (Kurt Fuller) and Helen (Mimi Kennedy). After arguing with his fiancée one night, Gil begins to roam the streets of Paris when an old-fashioned car pulls up and the passengers inside ask him to join them. Gil finds himself at what seems to be a 1920’s themed party, but he soon begins to recognise that the company around him consists of his literary and artistic idols, including that of F. Scott Fitzgerald (Tom Hiddleston), Zelda Fitzgerald (Alison Pill), Ernest Hemingway (Corey Stoll) and Gertrude Stein (Kathy Bates). Gil has been transported to the 1920s, an era which he admires and decides to return to at midnight every night in order to find inspiration for his novel, and maybe something a little more from the stunning Adriana (Marion Cotillard).
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