Book v Film: Howl’s Moving Castle

“In the land of Ingary where such things as seven-league boots and cloaks of invisibility really exist, it is quite a misfortune to be born the eldest of the three. Everyone knows you are the one who will fail first, and worst, if the three of you set out to seek your fortunes.”

From the amazing Japanese animation film studio, Studio Ghibli, and directed by Hayao Miyazaki, Howl’s Moving Castle is based on British author Diana Wynne Jones‘ 1986 fantasy novel, the first in a series of three, that follows a young, unconfident girl called Sophie Hatter (voiced by Emily Mortimer) from the fairytale land of Ingary.

Continue reading “Book v Film: Howl’s Moving Castle”

Film Review: Howl’s Moving Castle

From the amazing Japanese animation film studio, Studio Ghibli, and directed by Hayao Miyazaki, Howl’s Moving Castle is based on British author Diana Wynne Jones‘ 1986 fantasy novel, the first in a series of three, that follows a young, unconfident girl called Sophie Hatter (voiced by Emily Mortimer) from the fairytale land of Ingary.

For Sophie, being born the oldest of three is only the beginning of her troubles, since the oldest child is doomed to fail first. When Sophie’s father dies, her stepmother, Fanny, takes Sophie and her two sisters out of school. But whilst Lettie and Martha go off to become apprentices, Sophie is left with no one to talk to but the hats she creates. One day, the Witch of the Waste (Lauren Bacall) makes a visit to Sophie’s shop, and leaves Sophie under a horrid spell that transforms her into an old lady (Jean Simmons). Her only chance of breaking it is to find the ever-moving castle in the hills, and plead with the castle’s owner, the heartless Wizard Howl (Christian Bale). To untangle the enchantment, Sophie makes a deal with Howl’s fire demon, Calcifer (Billy Crystal): if Sophie can break his contract with Howl, then he will fix her curse. Finding herself caught up in Howl and the Witch’s conflict, Sophie soon discovers that there’s far more to Howl — and herself — than first meets the eye.

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