(Published in Issue 5 of my publication In Retrospect)
Directed by Martin Scorsese, Hugo is a 3D family adventure based on Brian Selznick‘s award-winning best-seller, The Invention of Hugo Cabret.
Set in 1930s Paris, a young orphan boy, Hugo (Asa Butterfield), lives a secret life in the walls of a train station where he has to reset the clocks every day. His late father (Jude Law) has left him with the mystery of an automaton, a clockwork mannequin, still in need of repair. One day, whilst running away from the station inspector (Sacha Baron Cohen) so that he won’t be sent to an orphanage, Hugo bumps into a young girl, Isabelle (Chloë Grace Moretz), and gets on the wrong side of her godfather Georges Méliès (Ben Kingsley). But the key around Isabelle’s neck may be what Hugo was looking for in order to reveal the automaton’s secret, which in return will open up a new world for everybody involved, and maybe even a place that Hugo will be able to call home.
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